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The Trudy and John Neville Cohen Collection

THE CHINESE SNUFF BOTTLE COLLECTION

With the full descriptions

To Find the Original Large Photographs
 Note the identity (letter and number) found in the description
 

 

A small selection of a dozen snuff bottles from The Trudy and John Cohen Collection

B19   B6   B2   B78

B4   B48   B25   B1   B10

B47   B76   B9

 

A Small Selection of a dozen bottles



Please note the height of snuff bottles (in the descriptions) is that of the bottle excluding the stopper.

 
 

Five small groups of three, of snuff bottles from the Trudy and John Cohen Collection

B12   B18   B11   B60   B61   B8

B50   B42   B53

B5   B14   B3   B71   B67   B68

 

Another Small Selection in groups of three.



These bottles contain snuff (each with a different variety) clearly visible in bottles 7, 24 and 71.

However most bottles were emptied before being photographed.

 
 

A white banded, very well hollowed, chalcedony snuff bottle with a pink tourmaline stopper.

Banded Agate bottle



A white banded, very well hollowed, chalcedony snuff bottle with a pink tourmaline stopper.

B1

Chalcedony, honey colour with fine white bands running around the middle and lower part of the bottle; the bottle extremely well hollowed, to paper thinness, and resting on a flat foot.

Chinese, 1750-1850
Stopper: Pink tourmaline
Provenance: Hugh Moss, 1978
Height: 4.6cm

 

 

A beige, well hollowed, plain chalcedony ladies snuff bottle, with a pink tourmaline stopper.

Small Banded Agate Bottle



A beige, well hollowed, plain chalcedony snuff bottle, with a pink tourmaline stopper.

B2

Quartz, chalcedony and crystal, the small, well hollowed bottle of rounded form; of unusual formation with crystalline quartz above a horizontal band of creamy white and caramel brown chalcedony, all on a raised oval foot rim.

Chinese, 1750-1860
Stopper: dark pink tourmaline
Provenance: The Ko collection, sold at Christies, London, Robert Hall
Height: 3.5cm

It is rare to find this combination of materials in the form of a snuff bottle. Whilst this intriguing bottle is of small size it is by no means certain that such bottles were reserved for the use of ladies, in fact there is little historical information to support the suggestion that snuff taking by ladies was as prevalent as with men.

 

 

A quartz, agate and crystal, plain red starburst snuff bottle, well hollowed, with a carnelian & pearl stopper.

Red Starburst Crystalline Bottle



A quartz, agate and crystal, plain snuff bottle, well hollowed, with a carnelian and  pearl stopper.

B3

Quartz, agate and crystal, russet and red in a starburst crystalline natural mineral formation, each layer accentuated in creamy white; the bottle of gently rounded form.

Chinese, 1750-1860
Stopper: pale orange carnelian with a pearl finial
Provenance: Hugh Moss Ltd, London
Exhibited: Hugh Moss Chinese Snuff Bottle Exhibition 1974.
Height: 5.7cm

There is a lot of movement in this snuff bottle, creating unusual and exciting electric dimensions suggestive of the massive natural upheavals millions of years ago required to form the mineral. The starburst formation evokes a powerful firework exploding in the sky.

 

 

A moss agate plain snuff bottle, well hollowed, with a jade and metal stopper.

Moss Agate Bottle



A moss agate plain snuff bottle, well hollowed, with a jade and metal stopper.

B4

Quartz, moss agate, mottled areas of russet, mustard and seaweed green running through the colourless chalcedony body; resting on a flat foot.

Chinese, 1750 - 1860
Stopper: green jadeite set in a metal collar
Provenance: The Ko collection, Christies, London, 1973
Height: 5cm

The majority of moss agates are of one predominant colour, this exciting example is of three wonderful symbiotic colours reminiscent of colours in a countryside pool.

 

 

A moss opaque pearl-grey agate plain waterweed snuff bottle, well hollowed, with a coral stopper.

Reverse of the moss opaque pearl-grey agate plain waterweed snuff bottle, well hollowed, with a coral stopper.

Waterweed Agate Bottle



A moss opaque pearl-grey agate plain snuff bottle, well hollowed, with a coral stopper.

B5

Quartz, chalcedony; opaque pearl-grey and blue with moss-like dendritic inclusions reminiscent of weeds floating in a pond, well hollowed and resting on a flat oval foot.

Chinese, 1750 - 1860
Stopper: pink coral on black collar
Provenance: Ko collection, sold at Christies, 1976
Height: 6cm

It is by no means a coincidence that many mineral snuff bottles resemble other natural phenomena. The Chinese were exceptionally skilled in using their imagination to release images from within the natural abstract markings. These stones, specially selected by the Qing
craftsmen provided the perfect vehicle for the 'experience hungry' art lovers of the period.

 

 

A plain quartz, jasper, plain ladies snuff bottle, well hollowed, with a carnelian stopper.

Small Jasper Bottle



A plain quartz, jasper, snuff bottle, well hollowed, with a carnelian stopper.

B6

Quartz, jasper, of small, rounded form, carved from a striking and impressively marked stone of dark olive green colour with russet linear markings, undulating throughout in the manner of the outline of mountains.

Chinese, 1750-1860
Stopper: carnelian stopper in the form of a Mandarin's hat
Provenance: Estelle Chapman, London, 1975
Height: 4cm

The natural markings on this bottle would be of profound interest to any enlightened Chinese observer, as they are reminiscent of the brushstrokes used by the literati artist to suggest the bold outlines of a mountain range.

 

 

A quartz crystal, with black tourmaline needles, plain ladies snuff bottle with an aquamarine stopper.

Small Hair Crystal Bottle



A quartz crystal, with black tourmaline needles, plain snuff bottle with an aquamarine stopper.

B7

Quartz, crystal with black tourmaline needles evenly interspersed throughout the material, of flattened rectangular form sitting on a raised oval foot, of small size.

Chinese, 1750-1860
Stopper: aquamarine
Provenance: Sydney Moss Ltd, London, 1976
Height: 3.8cm

'Hair crystal' was popular amongst snuff takers in China. The tourmaline needles provide an exciting abstract design, and the material's translucency makes it easy to see the remaining quantity of snuff. The combination of these factors provides an exciting vessel to use and show off.

 

 

A smoky crystal plain snuff bottle, very well hollowed, with a green and brown jade stopper.

Smoky Crystal Bottle



A smoky crystal plain snuff bottle very well hollowed, with a green and brown jade stopper.

B8

Quartz, brown-grey smoky crystal, well carved and hollowed, resulting in a semi- translucent body resting on a raised oval foot.

Chinese, 1750-1860
Stopper: green and brown jade
Provenance: Richard Marchant, 1978
Height: 6.5cm

Smoky crystal is another mineral that was available in abundance to the lapidaries of Qing China. Not all of the large numbers of smoky crystal bottles made during this period were good, but this is a well-made example, its translucency enabling the user to see the amount of snuff left inside.

 

 

A flawless plain jade snuff bottle, superbly hollowed eggshell thin. Carnelian stopper.

Celadon Jade Bottle



A flawless plain jade snuff bottle, superbly hollowed eggshell thin. Carnelian stopper.

B9

Jade; bright green with lighter celadon inclusions creating a mottled icy effect; the bottle exceptionally well hollowed, of rounded rectangular form with gently sloping shoulders and raised oval foot, and slightly concave mouth.

Chinese, 1730-1780
Stopper: carnelian
Provenance: Hugh Moss Ltd, London, 1973
Height: 7.2m

This is an exceptional star within the snuff bottle galaxy - a truly beautiful piece of jade, hollowed daringly and expertly, resulting in paper thin walls yet still retaining a vivid green colour. This is a true feat of engineering, especially considering the extraordinary circumstances under which the lapidaries were working during this period - with foot driven drills, levers and pads to literally rub away the inside.

 

 

A flawless grey jadeite plain snuff bottle, superbly hollowed eggshell thin, with a pink coral on a turquoise collar with pearl finial stopper.

Grey Jadeite Bottle



A flawless grey jadeite plain snuff bottle, superbly hollowed eggshell thin, with a pink coral on a turquoise collar with pearl finial stopper.

B10

Jadeite, pale grey with a blue tinge, suffused with creamy cloud-like inclusions, exceptionally well hollowed, resulting in paper thin walls; the bottle of well proportioned bulbous form, with slightly raised oval foot with a flared neck and concave mouth.

Chinese, 1730-1780
Stopper: pink coral on a turquoise collar with pearl finial
Provenance: Hugh Moss Ltd, London, 1974
Height: 4.8cm

This is as good as they get - a beautifully constructed, perfectly hollowed bottle carved from an exquisite, delicate coloured sample of jade. The perfect rounded shape has been dictated by the 'awkwardness factor' with regard to the hollowing process - this being one of the few shapes that can be completely and evenly hollowed to the ultimate thinness.

 

 

A plain apple green jadeite snuff bottle, well hollowed with a coral carved with a dragon and pearl finial.

Apple Green Jadeite Bottle



A plain jadeite snuff bottle, well hollowed with a coral carved with a dragon and pearl finial.

B11

Jadeite, apple-green colour with slightly lighter mottling throughout the ovoid body, standing on a flat oval foot, with a round neck and concave mouth.

Chinese, 1730-1780
Stopper: coral carved as a dragon with pearl finial
Provenance: Robert Hall, 1979
Height: 5.2cm

Another early jade with exquisite form and colour designed and executed with perfection in order to accentuate the natural beauty of the mineral which has been left undecorated to highlight its beauty.

 

 

A plain apple green jadeite snuff bottle, well hollowed with a coral carved with a dragon and pearl finial.

Emerald Green & Yellow Jadeite Bottle



A plain mottled jadeite, well hollowed, snuff bottle with a tourmaline stopper.

B12

Jadeite, mottled emerald-green and yellow, the ovoid body standing on a flat foot with a round neck and lightly concave mouth, the body meticulously hollowed leaving the walls exceptionally thin.

Chinese, 1750-1850
Stopper: pink tourmaline
Provenance: Mme. Nel, France
Robert Hall, 1976
Height: 4.9cm

This is a small masterpiece where the unusual markings in the mineral are once again left undecorated to draw attention to the exquisite nature of the material itself. Its smaller size also makes it attractively jewel like.

 

 

A quartz crystal, with black tourmaline needles, plain snuff bottle with a tourmaline, glass & jade finial stopper.

Hair Crystal Bottle



A quartz crystal, with black tourmaline needles, plain snuff bottle with a tourmaline, glass & jade finial stopper.

B13

Quartz; crystal, transparent, interspersed throughout with densely packed black tourmaline needles, of the variety known as 'hair crystal'; the well-hollowed bottle of rectangular form sitting on a neat oval foot rim.

Chinese, 1780-1850
Stopper: tourmaline on a yellow glass collar with a jade finial
Provenance: Neal and Frances Hunter Collection
Richard Marchant, 2000

This bottle is well hollowed and has an attractive even spread of tourmaline needles.

 

 

A plain mottled spinach nephrite snuff bottle, well hollowed, with an amethyst stopper.

Lively Spinach Green Nephrite Bottle



A plain nephrite snuff bottle, well hollowed, with an amerthyst stopper.

B14

Nephrite, mottled spinach interspersed with black and slightly lighter patches, the body of rounded form resting on a flattened foot.

Chinese, 1760-1850
Stopper: purple amethyst
Provenance: Robert Hall, 1982
Height: 5.4cm

Spinach jade was available to the Chinese lapidaries in large quantities only at the beginning of the 18th Century when trade routes with nearby Turkestan opened. The material was favoured by the Qianlong Emperor (1736-1795), and was used in large carved decorative mountains, large and small vases, plates, and brush pots as well as snuff bottles.

 

 

A bright apple-green jadeite plain snuff bottle. Not too heavy. Pink quartz stopper.

Apple Green Jadeite Bottle



A bright green jadeite plain snuff bottle. Not too heavy. Pink quartz stopper.

B15

Jadeite bright apple-green, with lighter crystalline mottling throughout the body, of ovoid form with a flat oval foot.

Chinese, 1780-1880
Stopper: pink quartz
Provenance: Ko collection, sold at Christies, London, 1974
Height: 5.1cm

There is an infinite range of colour to be found within the jadeite family, and this makes it one of the most exciting fields to collect. During the early Qing dynasty, snuff takers would have been as thrilled with the endless varieties of colour and shape as we are today.

 

 

A good pure white nephrite snuff bottle, well hollowed, with two monkeys and a peach in low relief. Jade, set in a metal collar, stopper.

Monkeys & Lotus Pod Bottle



A good pure white nephrite snuff bottle, well hollowed, and carved in low relief.  Jade, set in a metal collar, stopper.

B16

Nephrite, pure white carved in low relief with two exuberant monkeys pulling down a branch whilst trying to reach a peach high above; the bottle bulbous and well hollowed.

Chinese, 1750-1860
Stopper: green jade set in metal collar
Provenance: Robert Hall, 1979
Height: 5.2cm

White jade (nephrite) was another favourite of the Qianlong Emperor (1736-1795), the whiter and purer the better. Many jade snuff bottles had imperfections in them as they were formed from the excess trimmed from larger boulders. These smaller pieces were carved into snuff bottles, utilising the markings to good advantage within the design of the bottle.

Zodiac sign / Monkey

 

 

A mutton fat jade snuff bottle carved in relief with five bats and well hollowed. Tourmaline stopper.

Five Bats Nephrite Bottle



A mutton fat jade snuff bottle carved in relief and well hollowed. Tourmaline stopper.

B17

Nephrite, pale celadon, carved in low relief with five bats; the bottle of elegant form, tapering from the shoulders to the foot, with a tall neck.

Chinese, 1750-1860
Stopper: pink tourmaline, carved in the form of a mandarin's hat with finial
Provenance: Nguyen Tan-Phu, 1975
Height: 7.2cm

This is a lively bottle depicting the ubiquitous five bats which symbolise happiness and longevity.

 

 

A mutton fat nephrite snuff bottle carved in relief with archaic symbols and well hollowed. Carnelian stopper.

Archaic Symbols Bottle



A mutton fat nephrite snuff bottle carved in relief and well hollowed. Carnelian stopper.

B18

Nephrite, mutton fat colour carved with a band of archaic symbols around the neck, a band of formalized kui dragons around the centre and a band of pendant acanthus leaves towards the base; the bottle of elegant vase form tapering towards the foot.

Chinese, 1750-1850
Stopper: orange carnelian
Provenance: Richard |Marchant, 1974
Height: 6.7cm

During the 18th Century many tombs were being excavated, giving the opportunity to study the art of the past. Archaic motifs from ancient bronze and jade vessels became a fashionable subject for snuff bottles.

 

 

A chalcedony ladies lotus bud snuff bottle, very well hollowed, and carved. Turquoise stopper.

Lotus Bud Poem Bottle



A chalcedony small snuff bottle, very well hollowed, and carved. Turquoise stopper.

B19

Chalcedony, carved as a formalised lotus bud, the six lobes each carved with a six character inscription, the neck carved with a single surround of rope work, the elegant bottle well hollowed standing on a neat oval foot rim.

Chinese, 1780 - 1850
Stopper: turquoise
Provenance: F.G.Blaxter, sold at Christies, 1973
Height: 5.3cm

This is one of a large and attractive group of translucent agate bottles all well carved, many with inscriptions, which were possibly made for presentation to the Palace. Significant numbers from this group bear Qianlong reign marks that are believable in some cases, but the one common factor is the distinctive translucent agate from which they are made.

 

 

A muttonfat nephrite snuff bottle carved in the form of a carp, the tail provides a built in dish. A glass and metal stopper.

The tail provides a built in dish of the muttonfat nephrite snuff bottle carved in the form of a carp. A glass and metal stopper.

Fish Bottle



A muttonfat nephrite snuff bottle carved in the form of a carp, the tail provides a built in dish. A glass and metal stopper.

B20

Nephrite, mutton fat of pale mottled appearance, carved in the form of a plump, hunched up carp with its fan tail splayed behind, its fins, scales and eyes all realistically carved.

Chinese, 1750 - 1860
Stopper: glass mounted in metal collar
Provenance: Harry Ross collection, sold Christies, 1978
Length: 6.4cm

This is one of only a small group of fish bottles, most of which are realistically and confidently carved displaying mildly comical features. The Chinese word for fish 'yu' is phonetically identical with the word meaning 'abundance or affluence' so a fish is a symbol for wealth.

 

 

A muttonfat nephrite snuff bottle, well hollowed, carved in low relief with writhing dragons, a coral stopper.

Old & Young Dragons Bottle



A muttonfat nephrite snuff bottle, well hollowed, carved in low relief with a coral stopper.

B21

Nephrite, mutton fat colour, the body carved with a continuous scene of writhing dragons, old and young, of flattened rounded form standing on a raised oval foot.

Chinese, 1750 - 1850
Stopper: coral, carved with dragon with pearl finial
Provenance: Christies, London, 1974
Height: 5.9cm

Writhing dragons are one of the most popular subjects for snuff bottles made during the zenith of the snuff bottle era. In the West the dragon is portrayed as an ugly and frightening mythological creature, but to the eyes of the Chinese they are reassuringly strong and represent positive and good things. Dragons large and small together mean 'May your children have an illustrious career'.

 

 

A white nephrite snuff bottle, well hollowed, carved in low relief with a dragon and a phoenix, red coral and turquoise stopper. (Can see the snuff inside).

The Reverse: A white nephrite snuff bottle, well hollowed, carved in low relief with a dragon and a phoenix, red coral and turquoise stopper. (Can see the snuff inside).

Dragon & Phoenix Bottle



A white nephrite snuff bottle, well hollowed, carved in low relief with a red coral and turquoise stopper.

B22

Nephrite, white mutton fat material, the body carved with a dragon and a phoenix, the phoenix with its tail displaying; the well hollowed bottle of flattened pear form standing on a raised oval foot

Chinese, 1780 - 1850
Stopper: red coral with turqoise collar
Provenance: Lt. Col. B.M.L.Forsyth, sold Christies, London, 1974
Height: 5.7cm

Together, the dragon and phoenix embody the male and female essences and symbolize the married state. The motif of dragon and phoenix creates a rebus longfeng chengxiang 'the dragon and phoenix present auspiciousness' and this was considered an appropriate message for gifts and paraphernalia at weddings.

 

 

Yellow nephrite snuff bottle, well hollowed, and carved in low relief with bamboo and rockwork. A coral stopper.

Yellow Nephrite Bamboo Bottle



Yellow nephrite snuff bottle, well hollowed, and carved in low relief with bamboo and rockwork. A coral stopper.

B23

Nephrite, yellow with some small areas of brown, each side carved with a circular vignette, one containing a scholarly scene of bamboo and ornamental rockwork, the other with a raised inscription in running script, each shoulder with mock mask and ring handles, the bottle of rounded disc form with tall neck standing on a raised oval foot.

Chinese, 1750 - 1800
Stopper: coral on a turquoise collar
Provenance: Robert Hall, 1980
Height: 4.9cm

Yellow jade was another of the Emperor's favourite materials and was used to make bottles for presentation to the Palace. This example is compact, well conceived and has been decorated with items known to be of scholarly interest.

 

 

Translucent quartz snuff bottle and carved in low relief with dragons. Pink glass stopper.

Dragon Bottle



Translucent quartz snuff bottle and carved in low relief with dragons. Pink glass stopper.

B24

Quartz, translucent icy blue colourless material and flattened rounded form, one side carved with a dragon emerging from the clouds, the other side with a dragon amongst waves.

Chinese, 1760 - 1800
Stopper: pink glass in the shape of a mandarin hat
Provenance: Ko collection, sold Christies, London, 1978
Height: 5.2cm

This bottle is wonderfully tactile. It is not always easy to photograph snuff bottles of a non-specific colour especially when made from materials that are neither bright nor colourful, but this is a good example from this group.

Zodiac sign / Dragon

 

 

A chalcedony well hollowed silhouette picture snuff bottle. Green glass and ivory stopper.

Putai Ho-Shang Bottle



A chalcedony well hollowed silhouette picture snuff bottle. Green glass and ivory stopper.

B25

Chalcedony, of pale-beige mushroom colour with darker inclusions incorporated in a design depicting Pu Tai He Shang waving a hand at a bat and seated beneath tobacco leaves; the well hollowed bottle of flattened rounded form resting on a raised oval foot rim.

Chinese, 1750-1860
Stopper: green quartz on an ivory collar
Provenance: Estelle Chapman, London, 1973
Height: 5.8cm

There is a large group of excellent agate snuff bottles made between 1750 and 1850 whose objectivity was to pursue the natural inclusions within the stone to create a story or scene often using carving to highlight the theme. Pu Tai He Shang is the patron saint of tobacconists.

 

 

A chalcedony well hollowed silhouette picture snuff bottle of the pearl, the sky and the sea dragons. Carved coral stopper

The Reverse: A chalcedony well hollowed silhouette picture snuff bottle of the pearl, the sky and the sea dragons. Carved coral stopper

The Pearl, Sky and Sea Dragons Bottle



A chalcedony well hollowed silhouette picture snuff bottle. Carved coral stopper

B26

Chalcedony, pale-beige with a dark inclusion that reaches from the neck to the foot, ingeniously carved with two horned dragons, both with whiskers and eyes accentuated, the beast above with a lower claw in evidence. The two dragons are contesting a pearl, their bodies sweeping back above and below them, one emanating from the sky, one from the sea; each side with incised clouds. The bottle exceptionally well hollowed of flattened rectangular form standing on a raised oval foot rim, the mouth slightly concave.

Chinese, 1750 - 1860
Stopper: pink coral carved with dragons
Provenance: Robert Hall, 1999

This is an exceptionally dramatic portrayal of a subject that strikes at the heart of every Chinese person, along with a vast group of scholars, collectors and enthusiasts. Two dragons playing amidst clouds, contesting a flaming pearl cause rain to fall, a great symbol for fertility and abundance. This is an animated and skilful depiction of one of the most popular subjects from this period.

Zodiac sign / Dragon

 

 

A chalcedony well hollowed silhouette picture of the sampan by the cliff snuff bottle. Carnelian and metal stopper.

Sampan by the Cliff Bottle



A chalcedony well hollowed silhouette picture snuff bottle. Carnelian and metal stopper.

B27

Chalcedony, pale-beige with dark-brown and pale-russet inclusions, conceived with a minimum of carving to depict two fishermen, one sitting near the hood and one standing at the bow of the sampan, by the side of a cliff, above them is a full moon; the well hollowed bottle of rounded form.

Chinese, 1750 - 1860
Stopper: carnelian on metal mount
Provenance: Hugh Moss Ltd, 1974
Height: 4.9cm

One of the many facets of my interest in Chinese snuff bottles is that, particularly with the hard stone varieties, every one is different, relying on the piece of stone which has been produced by 'Mother Nature'. A new challenge appears on the horizon every time a piece of stone is presented to a craftsman, and should twenty craftsmen be given the exact same piece of stone (which is not possible) each of those twenty snuff bottles would result in a very different appearance, different areas would be recognised by the various pairs of eyes and treated in a different manner, some more interesting than others. This is a charming depiction of one of the four noble professions - fishing.

 

 

A chalcedony very well hollowed silhouette eagle picture snuff bottle. Metal (in the form of a dragon) stopper.

Eagle Bottle



A chalcedony very well hollowed silhouette picture snuff bottle. Metal (in the form of a dragon) stopper.

B28

Chalcedony, pale-beige with a contrasting darker area carved to depict a perched eagle, his head turned back whilst waiting for his mate who can be seen in the distance; the well-hollowed bottle of rounded form, with an indented oval foot.

Chinese, 1750 - 1860
Stopper: bronze with a dragon
Provenance: Erik Hancock
Marchant & Son, 1974
Height: 5cm

This simple rendition of the well known perched eagle is extremely effective. The Qianlong Emperor (1736-1795) was passionate about nature, whether wildlife, insects, flowers, trees, or the elements, and thus many of these subjects came to be depicted on the applied arts that were made for presentation to the court.

Bird.

 

A chalcedony well hollowed silhouette brown carp picture snuff bottle with an agate stopper.

Brown Carp Bottle



A chalcedony well hollowed silhouette picture snuff bottle with an agate stopper.

B29

Chalcedony, pale-beige with darker brown markings that depict a fish under water, appearing to be sorting through the water's bed, with bubbles emanating upwards towards the surface; the well hollowed bottle of rounded form.

Chinese, 1750 - 1860
Stopper: brown quartz
Provenance: Peter Fawcett, London
Hugh Moss, 1973
Height: 5.8cm

The manner in which the fish has been 'discovered' amongst the natural markings of this piece of agate is a demonstration of the Chinese craftsman' s ability to recognise and bring a wonderful world to the attention of the beholder. The fish is a naturalistic colour and is realistically and animatedly going about its life - a perfect subject created with a minimum of fuss and elaboration.

 

 

A chalcedony well hollowed silhouette brown carp picture snuff bottle with an agate stopper.

Liu Hai Bottle



A chalcedony well hollowed silhouette picture snuff bottle with an amethyst stopper.

B30

Chalcedony, beige with a dark brown 'splash', minimally carved to depict Liu Hai dancing whilst attempting to save his three legged toad by dangling his cash string, the toad looking up in appreciation; the bottle of flattened rectangular form standing on a raised oval foot.

Chinese, 1750 - 1850
Stopper: amethyst
Provenance: Lt. Col. B.M.L. Forsyth, (sold at Christies, London, 1978)
Height: 6.2cm

Liu Hai is a much-loved mythological character, nearly always depicted with a long piece of string on which he keeps his money safe. He is usually accompanied by a three- legged toad, which seems to get into trouble easily and needs to be rescued by Liu Hai. In this depiction it is interesting to note that Liu Hai appears to have longer hair than he is usually shown with. This is an excellent example of so called 'shadow agate' whereby a minimum of carving creates the desired effect in an animated and charming manner.

 

 

A chalcedony well hollowed silhouette Huang Chenyen picture snuff bottle with a crystal stopper.

Huang Chenyen Bottle



A chalcedony well hollowed silhouette picture snuff bottle with a crystal stopper.

B31

Chalcedony, pale beige with a darker brown inclusion minimally carved to represent the mythological figure, Huang Chenyen travelling on his donkey carrying a large branch of prunus blossom, a bat in the foreground; the bottle of flattened rectangular form with a raised oval foot rim.

Chinese, 1750 - 1860
Stopper: crystal with red finial
Provenance: Hugh Moss Ltd, 1976
Illustrated: I.C.S.B.S. Journal, page 12, number 8, 1975 'Snuff Bottles: the quality factor' by R.W.L. Kleiner

This is from the same group as number B29, sharing the same aspirations and technique, only depicting a different subject, that of Huang Chenyen. Huang Chenyen is a mythological figure portrayed in search of prunus. In this case the workmanship is extraordinarily successful, the perspective and the resulting manner in which this lonesome traveller is depicted is brilliant and portrays the gruelling, solitary dedication this well loved character peruses.

 

 

A chalcedony well hollowed silhouette sage and assistant picture snuff bottle with a coral and metal stopper.

Sage & Assistant Bottle



A chalcedony well hollowed silhouette picture snuff bottle with a coral and metal stopper.

B32

Chalcedony, pale-beige with a darker brown inclusion, minimally carved to show a long-haired, bearded sage accompanied by his attendant, a flower at his feet, both on a cliff top sheltering under a gnarled tree which bends over whilst they look towards a large flying bird, possibly a crane. Across from the figures is a deep valley with another tree growing precariously on a cliff edge.

Chinese, 1750 - 1860
Stopper: coral set into metal mount
Provenance: Marylin Shaw
Hugh Moss Ltd, 1973

One of the very attractive features of the silhouette agate group is that they present a slice of life, conceived and executed by a master carver, which will transport the beholder to a dream like state, allowing the mind and imagination to lead them away from the complexities of the present. This is a heart- warming scene, with an elderly sage and his attendant enjoying the elements on top of a precarious cliff. 

 

 

A chalcedony well hollowed silhouette sampan and boulders picture snuff bottle with a coral and turquoise stopper.

Sampan & Boulders Bottle



A chalcedony well hollowed silhouette picture snuff bottle with a coral and turquoise stopper.

B33

Chalcedony, pale-beige with darker brown inclusions brilliantly carved to represent a sage with attendant at a ship's bow navigating around a group of large rocks, with a range of mountains in the background.

Chinese, 1750 - 1860
Stopper: coral on turquoise collar
Provenance: Hugh Moss Ltd, London, 1974
Height: 6.1cm

This is another excellent silhouette agate, creating a picture that will give constant pleasure and food for the imagination. It is sometimes difficult to differentiate between a fisherman and a sage in a sampan, but this subject always appears idyllic. The life of a fisherman is not always idyllic and can be fraught with bad weather and treacherous waters that can be both uncomfortable and life threatening. The sage would be less likely to be boating unless the conditions were such that they compelled him to participate in order to meditate or to simply enjoy and experience of the surroundings.

 

 

A chalcedony well hollowed silhouette cockerel picture snuff bottle with a coral and metal stopper.

Cockerel Bottle



A chalcedony well hollowed silhouette picture snuff bottle with a coral and metal stopper.

B34

Chalcedony, pale-grey and beige with darker brown and russet patches carved with a cockerel perched on top of a rock, a flower nearby; the well-hollowed bottle of bulbous form with a raised oval foot rim and concave mouth.

Chinese, 1750 - 1760
Stopper: coral carved as a peach mounted on a metal collar
Provenance: Hugh Moss Ltd, London, 1974
Height: 6cm

This is both intelligent and imaginative work combining to produce an extremely successful scene given the awkward nature of the natural markings in the agate. The cockerel is the tenth creature of the Chinese Zodiac, and is admired as a courageous and beneficent bird. He wards off evil, and symbolises reliability, as he never fails to mark the passing of the hours. A cock crowing represents achievement and fame. A cockerel depicted on an object would make a suitable gift for anyone wishing to enter the civil service, as the word for cockscomb guan is phonetically identical with guan (official) and therefore expresses the wish that the recipient may be rewarded with an official post.

Zodiac sign / Cockerel

 

 

A chalcedony well hollowed silhouette crane picture snuff bottle with an agate and metal stopper.

Crane Bottle



A chalcedony well hollowed silhouette picture snuff bottle with an agate and metal stopper.

B35

Chalcedony, of pale-grey and beige colours, with darker brown areas carved with a crane carrying a spray of lingzhi in its beak; the well-hollowed bottle of bulbous form.

Chinese, 1750 - 1860
Stopper: pink stained quartz on a metal mount
Provenance: Hugh Moss Ltd, London, 1973
Height: 6cm

Some of the most cleverly designed hard stone bottles are conceived using just a few carved 'strokes'. This scene depicts a crane struggling through the air with a trophy in its beak, the 'strokes' emphasising the natural awkwardness of this well loved and often depicted creature. The crane is one of the many symbols of longevity.

Bird. Stork.

 

A chalcedony well hollowed silhouette humorous cockerel picture snuff bottle with a jade and horn stopper.

The Humorous Cockerel Bottle



A chalcedony well hollowed silhouette picture snuff bottle with a jade and horn stopper.

B36

Chalcedony, pale-brown with darker brown contrasting inclusions, minimally carved to depict a heavy and humorous cockerel approaching what appears to be a cockscomb.

Chinese, 1750 - 1860
Stopper: jadeite on a green stained ivory collar
Provenance: Estelle Chapman, 1973
Height: 5.7cm

The artist has managed to portray a cockerel in a cartoon like manner attracting the attention of the viewer. It was the natural markings which suggested this treatment to the carver and has turned an animal which is part of the every day life of the Chinese into an amusing and warm subject. The cockerel is the tenth creature of the Chinese Zodiac, and is admired as a courageous and beneficent bird. He wards off evil, and symbolises reliability, as he never fails to mark the passing of the hours. A cock crowing represents achievement and fame. A cockerel depicted on an object would make a suitable gift for anyone wishing to enter the civil service, as the word for cockscomb guan is phonetically identical with guan (official) and therefore expresses the wish that the recipient may be rewarded with an official post.

Zodiac sign / Cockerel

 

 

A chalcedony well hollowed silhouette hawk and tree picture snuff bottle with a carnelian and pearl stopper.

Hawk & Tree Bottle



A chalcedony well hollowed silhouette picture snuff bottle with a carnelian and pearl stopper. 

B37

Chalcedony, dendritic areas incorporated in a scene of a hawk looking backwards over its shoulder whilst standing under a tree, with windswept mountains in the background; the well hollowed bottle of flattened rectangular form with a raised oval foot rim.

Chinese, 1750 - 1860
Stopper: coral with a pearl finial on black collar
Provenance: Peter Green, London
Hugh Moss Ltd, London, 1973
Illustrated: Chinese Snuff Bottles of the Silica and Quartz Group by Hugh Moss, page 38, no 85.
Height: 5.3cm

This subject has been enlivened by the use of the natural inclusions in the stone. Dendritic areas are used to create the leaves and branches of a tree, and natural lines running through the stone emphasize the drama of the windswept scene. This is a wonderful work of art in which the artist has used brilliantly all the natural markings.


Bird

 

A chalcedony well hollowed silhouette bats picture snuff bottle with an amethyst and horn stopper.

Bats Bottle



A chalcedony well hollowed silhouette picture snuff bottle with an amethyst and horn stopper.

B38

 

Chalcedony, pale grey with russet inclusions carved with bats in flight, the narrow sides carved with mask and ring handles, the bottle of rounded bulbous form carved with a raised oval foot rim.

Chinese, 1750 - 1860
Stopper: pale amethyst with horn collar
Provenance: Hugh Moss Ltd, 1973
Height: 6cm

This well hollowed agate has small, irregular honeycomb patterns

 inside. These are created by the labour intensive process of rubbing paddles coated in abrasives on the inside (after the initial drilling had removed the central bulk). The temptation to include the small russet areas to the lower right hand side within a large and showy subject was suppressed in favour of this charming treatment that is of lasting intrigue.

 

 

A chalcedony well hollowed silhouette pheasant picture snuff bottle with a moss agate stopper.

Pheasant Bottle



A chalcedony well hollowed silhouette picture snuff bottle with a moss agate stopper.

B39

Quartz, chalcedony with a crystalline area, of mottled pale brown colour with a few darker inclusions, one of which has been cleverly incorporated within the crystalline area to create a pheasant with long and flowing feathers; the well hollowed bottle of bulbous form.

Chinese, 1750 - 1860
Stopper: green moss agate
Provenance: Hugh Moss Ltd, 1974
Height: 6.6cm

This very clever use of the crystalline area amply demonstrates the abilities of the Qing craftsmen who worked hard at creating these masterpieces. They were designing for an audience that was becoming more and more sophisticated as the craze for acquiring great snuff bottles by the elite gathered pace during the eighteenth century.

Bird.

 

A chalcedony well hollowed silhouette duck picture snuff bottle with a glass stopper.

Duck Bottle



A chalcedony well hollowed silhouette picture snuff bottle with a glass stopper.

B40

Chalcedony, pale-grey with a deep brown contrasting inclusion minimally carved to depict a charming duck, improbably balanced on its feet with neck stretched upwards, a spray or plant in its beak.

Chinese, 1750 - 1860
Provenance: Sue Lapidus
Hugh Moss Ltd, 1974
Height: 5.3cm

It is possible that the recessed part of the bottle where the darker material has been taken away in order to represent the duck may double as a snuff dish in order to offer the powder to guests. A mandarin duck symbolises married bliss and so this would have been a perfect wedding gift.

 

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